LARGE ENSEMBLE

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The Body Untied (2015-16), haute-contre, bass-baritone, and baroque chamber orchestra
   25’ (song cycle)/35’ (theatrical)
   h-c.b-bar/ob.bn/theorbo/vn1.vn2.va.vc.cb [baroque]

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Sandglass Vespers (2015), chamber orchestra, 9’
    fl+al.ob+ca.cl+bcl.1/hn.tp.tb/hp.cel/vn1.vn2.va.vc.cb
Written for Joel Sachs and the New Juilliard Ensemble.

 

CHAMBER ENSEMBLE (WITHOUT voice)

provost (2014), string quartet, 16’
Written for the Kleio Quartet.

 



‘Red Book’ Variations (2012-13), mixed chamber ensemble (cl, b cl, vln, vc), 8’

 

CHAMBER ENSEMBLE (with voice)


White Night (2014), mezzo-soprano and mixed chamber ensemble (fl, cl, hp, vln, vla, vc), 8’

Simple songs (2006/14), soprano and string quartet, 6’

 

SOLO

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marginalia ii (2017), piano, 9’

marginalia (2016-17), violin, 12’
 

CHOIR


The Geryon Matter (Γηρυονηΐς) (2018), 16-part SATB choir a cappella, 12’
Text by Anne Carson.
Written for Harold Rosenbaum and the New York Virtuoso Singers.

O God, my heart is ready (2017), SSAATTBB choir and organ, 4’
Text from Psalm 108.
Commissioned for Daniel Hyde and the Men & Boys of St. Thomas Church Fifth Avenue by Choir & Organ magazine.

Madrid (2009), SSAATTBB choir and organ, 8’
Texts by Pablo Neruda.
Written for Amor Artis Chorus.

Pablo Neruda’s Isla Negra (2006-7), SSAATTBB choir a cappella, 7’