The Body Untied (2015-16), solo haute-contre and bass-baritone with baroque chamber orchestra, 25’
h-c.b-bar/ [baroque]
Texts by: André de la Vigne, Jean Meschinot, Anjela Duval, Claire Trévien

Sandglass Vespers (2015), chamber orchestra, 9’ (for Joel Sachs and The New Juilliard Ensemble)

Passacaglia (2014), solo shēng (handheld reed organ), string quintet, brass quintet, 8’

CHAMBER (with/without voice)

White Night (2014), solo mezzo-soprano and mixed chamber ensemble (fl, cl, hp, vln, vla, vc), 8’

transeamus (2014), string quartet, 16’

‘Red Book’ Variations (2012-13), mixed chamber ensemble (cl, b cl, vln, vc), 8’


marginalia ii (2017), piano, 9’ (for Robert Fleitz)

marginalia (2016-17), violin, 12’ (for Becky Anderson)


Geryoneis: premonitions (2018), 16-part SATB choir a cappella, 13’ (for Harold Rosenbaum and the New York Virtuoso Singers)
Texts by: Anne Carson

O God, my heart is ready (2017), SSAATTBB choir and organ, 4’ (For Dan Hyde and the St. Thomas Men & Boys)

Madrid (2009), SSAATTBB choir and organ, 8’
Texts by: Pablo Neruda

Pablo Neruda’s Isla Negra (2006-7), SSAATTBB choir a cappella, 7’