LARGE ENSEMBLE

The Body Untied (2015-16), solo haute-contre and bass-baritone with baroque chamber orchestra, 25’
h-c.b-bar/ob.bn/theorbo/vn1.vn2.va.vc.cb [baroque]
Texts by: André de la Vigne, Jean Meschinot, Anjela Duval, Claire Trévien

Sandglass Vespers (2015), chamber orchestra, 9’ (for Joel Sachs and The New Juilliard Ensemble)
fl+al.ob+ca.cl+bcl.1/hn.tp.tb/hp.cel/vn1.vn2.va.vc.cb

Passacaglia (2014), solo shēng (handheld reed organ), string quintet, brass quintet, 8’

CHAMBER (with/without voice)

White Night (2014), solo mezzo-soprano and mixed chamber ensemble (fl, cl, hp, vln, vla, vc), 8’

transeamus (2014), string quartet, 16’

‘Red Book’ Variations (2012-13), mixed chamber ensemble (cl, b cl, vln, vc), 8’

SOLO

marginalia ii (2017), piano, 9’ (for Robert Fleitz)

marginalia (2016-17), violin, 12’ (for Becky Anderson)

CHORUS

Geryoneis: premonitions (2018), 16-part SATB choir a cappella, 13’ (for Harold Rosenbaum and the New York Virtuoso Singers)
Texts by: Anne Carson

O God, my heart is ready (2017), SSAATTBB choir and organ, 4’ (For Dan Hyde and the St. Thomas Men & Boys)

Madrid (2009), SSAATTBB choir and organ, 8’
Texts by: Pablo Neruda

Pablo Neruda’s Isla Negra (2006-7), SSAATTBB choir a cappella, 7’